Blackmagic URSA Broadcast G2 - HD and Ultra HD broadcast camera with top handle, shoulder mount, V-lock battery plate, B4 and EF lens mounts

HD and Ultra HD broadcast camera with top handle, shoulder mount, V-lock battery plate, B4 and EF lens mounts

The new Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. The 3 cameras in 1 design allows it to work as a 4K production camera, a 4K studio camera or a 6K digital film camera! You can record to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW. You can even change the lens mount! No other broadcast camera is so flexible!

• Effective Sensor Size: 2/3 inch sensor size when using 4K B4 mount (Actual sensor size 23.10mm x 12.99mm).
• Lens Mount: B4 2/3 inch installed Active EF mount also included.
• Lens Control: Electronic control via 12-pin broadcast connector. Control via EF mount pins when using URSA Mini Pro EF Mount with compatible EF lenses.
• Lens Correction: In-camera correction of color fringing when using compatible broadcast lenses.
• Dynamic Range: 13 Stops.
• Dual Native ISO: 0 dB and 18 dB gain.
• Sensitivity at 0 dB Gain: f11 with 2160p59.94. f12 with 2160p50. at 2,000 lux with 89.9% reflectance. additional 1.1 stop light loss using 4K B4 mount.
• Signal to Noise Ratio: 64.62 dB for 2160p Ultra HD scaled from 5.3K.
• Built in ND Filters: Four position ND filter wheel with clear, 2 stop, 4 stop and 6 stop ND filters.
• Focus: Focus button triggers auto focus when using compatible lenses with focus servo. Touch and hold on LCD determines focus region and triggers auto focus.
• Iris Control: Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video and extended video mode.
• Screen Dimensions: 4 inch.
• Screen Type: LCD capacitive touchscreen.
• Controls: Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys and 2 assignable shortcut keys (VTR and RET) on compatible broadcast lenses.
• ProRes Shooting Resolutionsand Frame Rates: - 3840 x 2160 (Ultra HD) up to 60 fps from Ultra HD window or scaled from 5.3Kwindowed sensor - 3840 x 2160 (Ultra HD) up to 50 fps scaled from full sensor - 1920 x 1080 (HD) up to 120 fps scaled from 2.7K windowed sensor - 1920 x 1080 (HD) up to 60 fps scaled from Ultra HD or 5.3Kwindowed sensor - 1920 x 1080 (HD) up to 50 fps scaled from full sensor.
• H.265 Shooting Resolutionsand Frame Rates: - 3840 x 2160 (Ultra HD) up to 60 fps from Ultra HD window or scaled from 5.3Kwindowed sensor - 3840 x 2160 (Ultra HD) up to 50 fps scaled from full sensor.
• H.264 Shooting Resolutionsand Frame Rates: - 1920 x 1080 (HD) up to 60 fps scaled from Ultra HD or 5.3K windowed sensor - 1920 x 1080 (HD) up to 50 fps scaled from full sensor.
• Blackmagic RA W Shooting Resolutionsand Frame Rates: - 6144 x 3456 (6K) up to 50 fps - 6144 x 2560 (6K 2.4:1) up to 60 fps - 5376 x 3024 (5.3K 16:9) up to 60 fps - 3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps - 3840 x 2160 (Ultra HD) up to 60 fps - 1920 x 1080 (HD) up to 150 fps.
• Project Frame Rates: 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps. Off-speed frame rates up to 60p in Ultra HD and up to 150p in HD.
• Metadata Support: Automatically populated lens data from electronic B4 lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
• Time Code Clock: Highly accurate Time Code clock. Less than 1 frame dri ft every 8 hours.